Helen Traubel, Pipe Dream Ensemble made "How Long?" available on 1972. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Pipe Dream (Original Broadway Cast Recording)". In this album, this song's track order is #16. Based on our statistics, How Long?'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With How Long? by Helen Traubel, Pipe Dream Ensemble having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Act I Scene 1: Gott gruss' euch, liebe Manner von Branat (Heinrich) | Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch | C Major | 2 | 8B | 106 BPM | ||
Oh' What A Beautiful Morning | Wurlitzer Pipe Organ | E Major | 2 | 12B | 96 BPM | ||
Oom Pah Pah | The East End Performers | D Major | 5 | 10B | 126 BPM | ||
Моя Родина | The Red Army Choir, Николай Кириллов, Александр Крузе | G Major | 2 | 9B | 77 BPM | ||
Il Pastore Che Pascolava | Tina Centi | C Major | 4 | 8B | 93 BPM | ||
Life's a Funny Proposition After All | George M. Cohan, Joan Morris, William Bolcom | E♭ Major | 1 | 5B | 65 BPM | ||
We’re In The Money | Caroline O'Connor, Jan Hovarth, Laurie Gayle Stephenson | D Major | 3 | 10B | 132 BPM | ||
H.M.S.Pinafore: Never mind the why and wherefore | Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM | ||
The Station | Henry Mancini | G Major | 2 | 9B | 78 BPM | ||
A Fine Romance | Isabella Lundgren, Carl Bagge, Musica Vitae | C Major | 2 | 8B | 82 BPM |
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