Bavarian Radio Symphony Orchestra's 'I. Allegro from Symphony No.41 in C Major, K.551 "Jupiter"' came out on 1981. Since I. Allegro from Symphony No.41 in C Major, K.551 "Jupiter" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "More Mozart's Greatest Hits" album is number 2 out of 13. On top of that, United States appears to be the country where this track was created. I. Allegro from Symphony No.41 in C Major, K.551 "Jupiter" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I. Allegro from Symphony No.41 in C Major, K.551 "Jupiter" by Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Symphony No. 1 In C, Op. 21: 2. Andante cantabile con moto | Ludwig van Beethoven, Eugen Jochum, Bavarian Radio Symphony Orchestra | B♭ Major | 1 | 6B | 77 BPM | ||
España | Emmanuel Chabrier, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 105 BPM | ||
Let Me Tell You, Pt. III: I Know You Are There | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 69 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (Live) | Ottorino Respighi, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 3 | 7B | 77 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Symphony No. 99 in E-Flat Major, Hob. I:99: III. Menuet: Allegretto | Joseph Haydn, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B♭ Major | 0 | 6B | 152 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture (Live) | Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini | C Major | 3 | 8B | 115 BPM | ||
Mass in B Minor, BWV 232 "Hohe Messe": No. 4 Chorus: Et incarnatus est | Johann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony Orchestra | B Minor | 0 | 10A | 75 BPM |
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