"Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile" by Joseph Haydn, London Symphony Orchestra, Sir Colin Davis was released on June 30, 2014. Since Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis's "Haydn: Symphonies Nos. 92, 93, & 97-99" album is number 2 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile by Joseph Haydn, London Symphony Orchestra, Sir Colin Davis to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Olivier Stankiewicz, Jaime Martin, London Symphony Orchestra | C Major | 1 | 8B | 117 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": IV. Finale (Molto vivace) | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 77 BPM | ||
Fantasie in E-Flat Major, Op. 18: II. Larghetto e cantabile | Johann Nepomuk Hummel, Madoka Inui | E♭ Major | 1 | 5B | 106 BPM | ||
Fantasia in C Major, Hob. XVII: 4 | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 2 | 8B | 134 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | A Major | 3 | 11B | 152 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
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