Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile
Joseph Haydn, London Symphony Orchestra, Sir Colin Davis
Haydn: Symphonies Nos. 92, 93, & 97-99
7:28 June 30, 2014
BPM
127
Key
D Major
Camelot
10B

Embed

Share Link

Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile - Joseph Haydn, London Symphony Orchestra, Sir Colin Davis Information

Acousticness
96%
Danceability
28%
Energy
1%
Instrumentalness
20%
Liveness
10%
Loudness
49%
Speechiness
4%
Valence
10%
Popularity
Loudness
-30.851 dB

Summary

"Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile" by Joseph Haydn, London Symphony Orchestra, Sir Colin Davis was released on June 30, 2014. Since Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis's "Haydn: Symphonies Nos. 92, 93, & 97-99" album is number 2 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile BPM

We consider the tempo marking of Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile by Joseph Haydn, London Symphony Orchestra, Sir Colin Davis to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphonie espagnole, Op. 21: V. Rondo by Édouard Lalo, Itzhak Perlman, André Previn, London Symphony OrchestraSymphonie espagnole, Op. 21: V. RondoÉdouard Lalo, Itzhak Perlman, André Previn, London Symphony OrchestraD Major210B109 BPM
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro by Tomaso Albinoni, Capella Istropolitana, Jaroslav KrcekSonata a 5 in G Minor, Op. 2, No. 6: IV. AllegroTomaso Albinoni, Capella Istropolitana, Jaroslav KrcekG Minor36A59 BPM
Oboe Concerto in C Major, K. 314: III. Rondo. Allegretto by Wolfgang Amadeus Mozart, Olivier Stankiewicz, Jaime Martin, London Symphony OrchestraOboe Concerto in C Major, K. 314: III. Rondo. AllegrettoWolfgang Amadeus Mozart, Olivier Stankiewicz, Jaime Martin, London Symphony OrchestraC Major18B117 BPM
Prokofiev: Symphony No. 1 in D Major, Op. 25, Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": IV. Finale (Molto vivace)Sergei Prokofiev, André Previn, London Symphony OrchestraD Major310B77 BPM
Fantasie in E-Flat Major, Op. 18: II. Larghetto e cantabile by Johann Nepomuk Hummel, Madoka InuiFantasie in E-Flat Major, Op. 18: II. Larghetto e cantabileJohann Nepomuk Hummel, Madoka InuiE♭ Major15B106 BPM
Fantasia in C Major, Hob. XVII: 4 by Joseph Haydn, Jean-Efflam BavouzetFantasia in C Major, Hob. XVII: 4Joseph Haydn, Jean-Efflam BavouzetC Major28B134 BPM
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange"Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav SjökvistA♭ Major04B80 BPM
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace by Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André PrevinViolin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivaceErich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André PrevinA Major311B152 BPM
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile by Eder QuartetString Quartet No. 14 in G Major, K. 387: III. Andante cantabileEder QuartetC Major08B65 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
ISRC
GBDGQ1121702
Label
L-M Records/RCA Records

Section: 0.647118330001831

End: 0.6512954235076904