"Requiem in D Minor, K. 626: III. Sequenz No. 6, Lacrimosa dies illa" by Wolfgang Amadeus Mozart, Christoph Prégardien, Diana Montague, Michael Chance, Kölner Kammerchor, Peter Neumann, Collegium Cartusianum Köln was released on October 10, 2020. The duration of Requiem in D Minor, K. 626: III. Sequenz No. 6, Lacrimosa dies illa is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Requiem in D Minor, K. 626: III. Sequenz No. 6, Lacrimosa dies illa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "TikTok Classical Music". In this album, this song's track order is #17. Based on our statistics, Requiem in D Minor, K. 626: III. Sequenz No. 6, Lacrimosa dies illa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem in D Minor, K. 626: III. Sequenz No. 6, Lacrimosa dies illa by Wolfgang Amadeus Mozart, Christoph Prégardien, Diana Montague, Michael Chance, Kölner Kammerchor, Peter Neumann, Collegium Cartusianum Köln having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Requiem in D Minor, K. 626: 7. Agnus Dei - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | F Major | 1 | 7B | 108 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 92 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM |
Section: 0.6480982303619385
End: 0.6526541709899902