"Hoddinott: Noctis Equi, Op. 132: II. Presto - Cadenza - Andante - Adagio" by Alun Hoddinott, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra was released on 1990. Hoddinott: Noctis Equi, Op. 132: II. Presto - Cadenza - Andante - Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Mstislav Rostropovich's "Milhaud, Honegger, Hoddinott & Moret: Works for Cello and Orchestra" album is number 8 out of 8. In terms of popularity, Hoddinott: Noctis Equi, Op. 132: II. Presto - Cadenza - Andante - Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hoddinott: Noctis Equi, Op. 132: II. Presto - Cadenza - Andante - Adagio by Alun Hoddinott, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
From Silden to Trelis | Kai Rosenkranz | A♭ Major | 1 | 4B | 170 BPM | ||
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) | Raymond Leppard, Richard Baker, New Philharmonia Orchestra | C Major | 1 | 8B | 143 BPM | ||
Chosen Gems for Winds: Folk-Tune (After E. Goossens) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | A Minor | 1 | 8A | 139 BPM | ||
Variaciones Concertantes, Op. 23: IV. Variazione in modo di scherzo per clarinetto | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | E Minor | 1 | 9A | 100 BPM | ||
The Bragger | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
25 Études faciles et progressives, Op. 100: No. 19, Ave Maria | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: II. Des Helden Widersacher | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | F Major | 0 | 7B | 131 BPM | ||
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Tchaikovsky: Swan Lake Suite, Op. 20a: V. Andante con moto (arr. Mikhail Pletnev) | Pyotr Ilyich Tchaikovsky, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM |
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