- BPM
- 121
- Key
- D Major
- Camelot
- 10B
Don Giovanni K527: Overture - Otto Klemperer Information
- Acousticness
- 95%
- Danceability
- 23%
- Energy
- 10%
- Instrumentalness
- 90%
- Liveness
- 28%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 5%
- Loudness
- -17.883 dB
Summary
"Don Giovanni K527: Overture" by Otto Klemperer was released on March 3, 2003. Don Giovanni K527: Overture appears to be safe for all ages as it is not explicit. The track order of this song in Otto Klemperer's "Mozart, Beethoven & Mendelssohn Overtures" album is number 11 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Don Giovanni K527: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Don Giovanni K527: Overture BPM
We consider the tempo marking of Don Giovanni K527: Overture by Otto Klemperer to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Don Giovanni K527: Overture Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk | Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | B♭ Major | 4 | 6B | 97 BPM | |
 | Serse, HWV 40, Act I Scene 1: Aria. Ombra mai fu, "Largo" (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | F Major | 1 | 7B | 163 BPM | |
 | Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | |
 | Mahler: Symphony No. 2 in C Minor "Resurrection": V. (e) Langsam. Misterioso | Gustav Mahler, Otto Klemperer, Elisabeth Schwarzkopf, The Philharmonia Chorus, Philharmonia Orchestra | A♭ Major | 0 | 4B | 124 BPM | |
 | Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | |
 | Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (d) Andante maestoso. "Seid umschlungen, Millionen" | Ludwig van Beethoven, Otto Klemperer, The Philharmonia Chorus, Philharmonia Orchestra | G Major | 2 | 9B | 108 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | |
 | Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | |
 | The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | |
 | Bagatelles, Op. 47, B. 79: No. 2 in G Major, Tempo di minuetto. Grazioso | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | G Major | 1 | 9B | 101 BPM |
- ISRC
- GBAYC0000352
- Label
- L-M Records/RCA Records
Section: 0.9213652610778809
End: 0.9252769947052002