"Ave Maria" by Charles Gounod, José Carreras, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer was released on January 1, 1984. The duration of Ave Maria is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in José Carreras, Vienna Boys' Choir, Chorus Viennensis, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer's "José Carreras - Ave Maria; Panis Angelicus; Agnus Die; Hallelujah; Jesus, Joy Of Man's Desiring" album is number 6 out of 10. On top of that, Netherlands appears to be the country where this track was created. Ave Maria is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria by Charles Gounod, José Carreras, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misa Criolla: 4. Sanctus (carnaval cochabambino) | Ariel Ramírez, José Carreras, Arsenio Zambrano, Domingo Cura, Jorge Padin, Coral Salvé de Laredo, Sociedad Coral de Bilbao, José Luis Ocejo | A Major | 1 | 11B | 82 BPM | ||
Mary's Boy Child | Jester Hairston, Plácido Domingo, Lee Holdridge, Wiener Symphoniker | D Major | 1 | 10B | 108 BPM | ||
Ave Maria | Vienna Boys' Choir | B♭ Major | 0 | 6B | 118 BPM | ||
Ave Maria (Arr. Fiona Pears & Ian Tilley) | Charles Gounod, Aled Jones, Russell Watson, New Zealand Sinfonietta, Tom Rainey | F Major | 3 | 7B | 141 BPM | ||
Adeste Fideles (O come, all ye faithful) | Choir of King's College, Cambridge, David Briggs, Stephen Cleobury | G Major | 1 | 9B | 136 BPM | ||
Gounod: Ave Maria, CG 89a (After Bach's Prelude, BWV 846) [Arr. for Trumpet and Organ] | Charles Gounod, Maurice André, Jane Parker-Smith | F Major | 2 | 7B | 72 BPM | ||
In Paradisum (from "Requiem", Op. 48) | Gabriel Fauré, Katherine Jenkins, Nicholas Dodd, The London Session Orchestra | D♭ Major | 2 | 3B | 65 BPM | ||
Ave Maria | Giulio Caccini, Vladimir Vavilov, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Minor | 0 | 4A | 79 BPM | ||
Adeste Fideles | Il Divo | F Major | 4 | 7B | 80 BPM | ||
Sancta Maria | Pietro Mascagni, Amira Willighagen | F Major | 2 | 7B | 110 BPM |
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