Alfred Brendel, Vienna Volksoper Orchestra's 'Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz' came out on September 28, 2006. Since Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolfgang Amadeus Mozart - Klavierkonzerte by Alfred Brendel. The song's track number on the album is #6 out of 6 tracks. Based on our data, Austria was the country where this track was produced or recorded. Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz by Alfred Brendel, Vienna Volksoper Orchestra has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM | ||
Lyric Pieces Book III, Op.43: 2. Solitary Traveller | Edvard Grieg, Emil Gilels | B Minor | 0 | 10A | 47 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 2. Adagio | Franz Joseph Haydn, Alfred Brendel | G Major | 1 | 9B | 100 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Piano Sonata in D, H.XVI No.37: 3. Finale (Presto, ma non troppo) | Joseph Haydn, Alfred Brendel | B♭ Minor | 1 | 3A | 67 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM |
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