"Rigoletto, Act 1, Scene 2: Gualtier Maldè ...Caro nome" by Riccardo Muti, Michele Pertusi, Daniela Dessi, Coro Del Teatro Alla Scala Di Milano, Lucio Gallo, Ernesto Gavazzi, Orchestra Del Teatro Alla Scala, Milano was released on 2004. Since Rigoletto, Act 1, Scene 2: Gualtier Maldè ...Caro nome is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Opera Classics, so we believe that "Rigoletto, Act 1, Scene 2: Gualtier Maldè ...Caro nome" is a single. Rigoletto, Act 1, Scene 2: Gualtier Maldè ...Caro nome is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rigoletto, Act 1, Scene 2: Gualtier Maldè ...Caro nome by Riccardo Muti, Michele Pertusi, Daniela Dessi, Coro Del Teatro Alla Scala Di Milano, Lucio Gallo, Ernesto Gavazzi, Orchestra Del Teatro Alla Scala, Milano is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music Suite No. 1 in F: Air | Berliner Philharmoniker, Riccardo Muti | F Major | 1 | 7B | 73 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 82 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Giulio Franzetti, I Solisti Dell'Orchestra Filarmonica Della Scala, Robert Kettelson, Riccardo Muti | C Minor | 2 | 5A | 193 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum | Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Waltraud Meier, Berliner Philharmoniker | B♭ Major | 1 | 6B | 140 BPM | ||
Brautschau, Polka française, Op. 417 | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | G Major | 3 | 9B | 91 BPM |
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