"HOW THE WEST WAS REALLY WON" by Trent Reznor and Atticus Ross was released on November 6, 2019. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Watchmen: Volume 1 (Music from the HBO Series) by Trent Reznor and Atticus Ross. The song's track number on the album is #1 out of 15 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. HOW THE WEST WAS REALLY WON is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since HOW THE WEST WAS REALLY WON by Trent Reznor and Atticus Ross has a tempo of 60 beats per a minute, the tempo markings of this song would be Lento (slowly). With HOW THE WEST WAS REALLY WON being at 60 BPM, the half-time would be 30 BPM with a double-time of 120 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
NOTHING EVER ENDS | Trent Reznor and Atticus Ross | C Major | 5 | 8B | 180 BPM | ||
Chuck Rhodes, Riderless Horse | Brendan Angelides, Eskmo | G Major | 1 | 9B | 85 BPM | ||
Lou's Inspired | James Newton Howard | F♯ Major | 3 | 2B | 115 BPM | ||
Love | Mica Levi | D Minor | 2 | 7A | 95 BPM | ||
Slipping Away | Michael Andrews | A Minor | 1 | 8A | 95 BPM | ||
Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand | Shane Carruth | B♭ Minor | 2 | 3A | 105 BPM | ||
Empty Account | Danny Bensi, Saunder Jurriaans | C Major | 1 | 8B | 128 BPM | ||
Journey Sequence | Max Richter | B♭ Major | 1 | 6B | 92 BPM | ||
Lakeward | Disasterpeace | E Minor | 2 | 9A | 130 BPM | ||
Doom Opening | Rob | C Major | 1 | 8B | 75 BPM |
Section: 0.6069355010986328
End: 0.6104309558868408