Adelbert von Chamisso's 'Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 36.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 37.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt)' came out on November 3, 2017. The duration of Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 36.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 37.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) is about 3 minutes long, at 3:09. Based on our data, "Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 36.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 37.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Peter Schlemihls wundersame Geschichte (Ungekürzt)". In this album, this song's track order is #39. In terms of popularity, Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 36.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 37.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 36.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 37.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) by Adelbert von Chamisso having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: VI. Vidit suum | Giovanni Battista Pergolesi, Shira Patchornik, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Die haltbare Graugans | Hanns Eisler, Holger Falk, Steffen Schleiermacher | C Minor | 2 | 5A | 60 BPM | ||
Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A♭ Major | 0 | 4B | 81 BPM | ||
St. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | C Major | 1 | 8B | 61 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIa. Coro "Gottes Zeit ist die allerbeste" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Strauss, R: 3 Lieder, Op. 29: No. 2, Schlagende Herzen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Ino, TWV 20:41: Ino, TWV 20:41: No. 7, Recitativo "Und nun! Ihr wendet Euch so schnell zurück?" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Rückert-Lieder: Ich atmet' einen linden Duft | Gustav Mahler, Orchestre Symphonique de Montréal, Rafael Payare, Sonya Yoncheva | F Major | 0 | 7B | 131 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM |
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