Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura made "Quatuor No. 1 in D Major: III. Vite" available on January 1, 2010. The duration of Quatuor No. 1 in D Major: III. Vite is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Quatuor No. 1 in D Major: III. Vite's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Telemann: Quatuors Parisiens". In this album, this song's track order is #3. Based on our statistics, Quatuor No. 1 in D Major: III. Vite's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Quatuor No. 1 in D Major: III. Vite by Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 1 | 5A | 95 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Sinfonia Melodica in C Major, TWV 50:2: IV. Menuet en rondeau | Georg Philipp Telemann, Annette Spehr, Peter Westermann, Marita Schaar, La Stagione Frankfurt, Michael Schneider | B Major | 1 | 1B | 146 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 2 | 2B | 129 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Concerto grosso in G Major, Op. 3, No. 3, HWV 314: III. Adagio | George Frideric Handel, Gerhart Hetzel, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | E Minor | 1 | 9A | 171 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM |
Section: 0.6889233589172363
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