Franz Joseph Haydn, Thomas Quasthoff, Freiburger Barockorchester, Gottfried von der Golz made "Orlando paladino, Hob. XXVIII:11 / Act 2: "Mille lampi d'accese faville"" available on May 1, 2021. The duration of Orlando paladino, Hob. XXVIII:11 / Act 2: "Mille lampi d'accese faville" is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Orlando paladino, Hob. XXVIII:11 / Act 2: "Mille lampi d'accese faville"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 141 in the song's album "Simply Haydn". In this album, this song's track order is #37. Based on our statistics, Orlando paladino, Hob. XXVIII:11 / Act 2: "Mille lampi d'accese faville"'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Orlando paladino, Hob. XXVIII:11 / Act 2: "Mille lampi d'accese faville" by Franz Joseph Haydn, Thomas Quasthoff, Freiburger Barockorchester, Gottfried von der Golz having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Bassoon Concerto in F, Op.75: 2. Adagio | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | B♭ Major | 0 | 6B | 74 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Keyboard Sonata No. 60 in C Major, Hob.XVI:50: I. Allegro | Joseph Haydn, Jenő Jandó | C Major | 1 | 8B | 121 BPM |
Section: 0.7523751258850098
End: 0.7567226886749268