Crossover by Strum

Song Analysis

Audio information that is featured on Crossover by Strum.

Acousticness

10%

Energy

35%

Liveness

6%

Speechiness

3%

Danceability

42%

Instrumentalness

7%

Loudness

85%

Valence

12%

Harmonic Matches

Find songs that harmonically matches to Crossover by Strum. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Jailbreak by Thin LizzyJailbreakThin LizzyE♭ Major85B145
Octopus by Syd BarrettOctopusSyd BarrettE♭ Major45B88
Motorhead by HawkwindMotorheadHawkwindE♭ Major95B168
Stones by Sonic YouthStonesSonic YouthC Minor85A125
Seasons End - 1997 Remaster by MarillionSeasons End - 1997 RemasterMarillionC Minor35A111
One Time by King CrimsonOne TimeKing CrimsonC Minor35A140
High Hopes by Pink FloydHigh HopesPink FloydC Minor45A75

Crossover by Strum Information

This song is track #3 in Erase the Tape by Strum, which has a total of 10 tracks. The duration of this track is 4:59 and was released on November 24, 2014. As of now, this track is currently not as popular as other songs out there. Crossover doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Crossover BPM

Crossover has a BPM of 105. Since this track has a tempo of 105, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Crossover Key

The key of Crossover is E♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

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