Nein, länger trag ich nicht die Qualen (Der Freischütz) - Wiener Philharmoniker, Maud Cunitz, Anny Felbermayer, Vienna State Opera Chorus, Otto Edelmann, Marjan Rus, Hans Hopf, Emmy Loose, Karl Dönch, Maria Schober, Alfred Poell, Franz Bierbach, Reinhold Siegert Information

Acousticness: 98%
Danceability: 27%
Energy: 20%
Instrumentalness: 1%
Liveness: 16%
Loudness: 77%
Speechiness: 5%
Valence: 21%
Popularity: 16%
Loudness: -14.032 dB

Summary

Wiener Philharmoniker, Maud Cunitz, Anny Felbermayer, Vienna State Opera Chorus, Otto Edelmann, Marjan Rus, Hans Hopf, Emmy Loose, Karl Dönch, Maria Schober, Alfred Poell, Franz Bierbach, Reinhold Siegert's 'Nein, länger trag ich nicht die Qualen (Der Freischütz)' came out on September 20, 2006. Since Nein, länger trag ich nicht die Qualen (Der Freischütz) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 24 in Freischütz - Carl Maria von Weber by Wiener Philharmoniker. Nein, länger trag ich nicht die Qualen (Der Freischütz) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nein, länger trag ich nicht die Qualen (Der Freischütz) BPM

The tempo marking of Nein, länger trag ich nicht die Qualen (Der Freischütz) by Wiener Philharmoniker, Maud Cunitz, Anny Felbermayer, Vienna State Opera Chorus, Otto Edelmann, Marjan Rus, Hans Hopf, Emmy Loose, Karl Dönch, Maria Schober, Alfred Poell, Franz Bierbach, Reinhold Siegert is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Nein, länger trag ich nicht die Qualen (Der Freischütz) Key

The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	D♭ Major	2	3B	66 BPM
Jazz Suite No. 2: IV. Waltz 1	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	B♭ Major	2	6B	109 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio	Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn	A♭ Major	0	4B	95 BPM
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne"	Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti	F♯ Major	2	2B	82 BPM
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	D Minor	1	7A	75 BPM
Habanera	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	A Major	0	11B	128 BPM
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent"	Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado	A Minor	1	8A	123 BPM
Wer tanzt mit? Polka schnell, Op. 251	Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker	D Major	4	10B	83 BPM
Fatinitza-Marsch	Franz von Suppé, Riccardo Muti, Wiener Philharmoniker	G Major	4	9B	117 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace	Antonín Dvořák, New York Philharmonic, Alan Gilbert	C Major	1	8B	121 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7627227306365967

End: 0.7678158283233643