"Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di Valse" by Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra was released on 1983. Since Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di Valse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Dvorak - String Serenade in E, Op.22 / Wind Serenade in D minor Op.44 by Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra. The popularity of Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di Valse is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di Valse by Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 21 in C Major, K. 467: 2. Andante | Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate | D Major | 0 | 10B | 77 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 131 BPM | ||
Die Moldau - Mein Vaterland (Má Vlast) | Bedřich Smetana, Paavo Berglund, Staatskapelle Dresden | C Major | 2 | 8B | 95 BPM | ||
Bach, JS / Orch Mahler: Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria (Orch. Mahler) | Johann Sebastian Bach, Camille Berthollet, Julie Berthollet, Grégoire Dubruel, Mathieu Herzog, Rémi Rière | D Major | 1 | 10B | 137 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Major | 1 | 7B | 112 BPM | ||
La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle | A Major | 1 | 11B | 92 BPM | ||
Concerto for Trumpet and Orchestra, in E-flat Major Hob.VIIe: 1: II. Andante | Franz Joseph Haydn, Raymond Leppard, Wynton Marsalis, English Chamber Orchestra | A♭ Major | 0 | 4B | 90 BPM | ||
El amor brujo: Ritual Fire Dance - Excerpt | Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | C Major | 1 | 8B | 142 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |
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