"Wachet auf, ruft uns die Stimme, Cantata BWV 140: IV. "Zion hört die Wächter singen"" by Johann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter was released on January 1, 1979. Wachet auf, ruft uns die Stimme, Cantata BWV 140: IV. "Zion hört die Wächter singen" is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 4 out of 18 in Bach, J.S.: Cantata BWV 140, Magnificat BWV 243 by Johann Sebastian Bach, Maria Stader, Hertha Töpper, Ernst Haefliger, Dietrich Fischer-Dieskau, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter. Based on our statistics, Wachet auf, ruft uns die Stimme, Cantata BWV 140: IV. "Zion hört die Wächter singen"'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wachet auf, ruft uns die Stimme, Cantata BWV 140: IV. "Zion hört die Wächter singen" by Johann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM | ||
Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 173 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! | Richard Strauss, Elsa Dreisig, Jonathan Ware | D Major | 0 | 10B | 173 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Sonata No. 1 in G Minor, BWV 1001: II. Fuga | Johann Sebastian Bach, Andrej Kurti | G Minor | 1 | 6A | 88 BPM |
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