"Giuseppe Verdi: Aida - Chi mai fra gl'inni e i plausi (Chor der Sklavinnen der Amneris)" by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner was released on November 26, 2001. The duration of Giuseppe Verdi: Aida - Chi mai fra gl'inni e i plausi (Chor der Sklavinnen der Amneris) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Giuseppe Verdi: Aida - Chi mai fra gl'inni e i plausi (Chor der Sklavinnen der Amneris)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 20 in Die Schönsten Opernchöre Vol. 2 by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner. In terms of popularity, Giuseppe Verdi: Aida - Chi mai fra gl'inni e i plausi (Chor der Sklavinnen der Amneris) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giuseppe Verdi: Aida - Chi mai fra gl'inni e i plausi (Chor der Sklavinnen der Amneris) by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): IV. Lied mit Chor "Bunte Schlangen, zweigezüngt!" | Felix Mendelssohn, Orchestre des Champs-Élysées, Collegium Vocale Gent, Delphine Collot, Sandrine Piau, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 98 BPM | ||
Dichterliebe, Op.48: 10. Hör' ich das Liedchen klingen | Robert Schumann, Fritz Wunderlich, Hubert Giesen | G Minor | 0 | 6A | 76 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Peer Gynt, Op. 23: Solveig's song - Excerpt | Edvard Grieg, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | A Major | 1 | 11B | 109 BPM | ||
Ich Bin Der Welt... (Ruckert - Lider N°5) | José van Dam | E♭ Major | 1 | 5B | 68 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM |
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