"Ode 4 of the Canon of the Precious Cross" by Cappella Romana, Alexander Lingas was released on November 29, 2019. Since Ode 4 of the Canon of the Precious Cross is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Cappella Romana, Alexander Lingas's "Lost Voices of Hagia Sophia" album is number 5 out of 12. Ode 4 of the Canon of the Precious Cross is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ode 4 of the Canon of the Precious Cross by Cappella Romana, Alexander Lingas to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Communion Verse for Sundays (Mode Plagal I) | Tikey Zes, Cappella Romana | C Major | 2 | 8B | 134 BPM | ||
Passion Week, Op. 13: IV. When the Glorious Disciples | Maximilian Steinberg, Kerry McCarthy, Cappella Romana, Alexander Lingas | A Minor | 0 | 8A | 137 BPM | ||
Hierarchical Entrance Rite for a Byzantine Divine Liturgy: IV. Glory. Both Now. | Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas | F Major | 1 | 7B | 125 BPM | ||
Messe de Notre-Dame: XI. Communion. Responsum accepit Symeon | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | E♭ Major | 1 | 5B | 97 BPM | ||
The Vespers of St. Catherine: II. Proemium | Cappella Romana, Alexander Lingas | A Minor | 1 | 8A | 68 BPM | ||
Ikon of Light: No. 3, Triságion I | John Tavener, Cappella Romana, 45th Parallel Universe, John Michael Boyer | A Major | 2 | 11B | 86 BPM | ||
Messe de la toussaint : Introit gaudeamus psaume | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 134 BPM | ||
Vladikou i sviachténonatchalnika | Zdravko Mihaylov, Mixed Choir | B Minor | 1 | 10A | 87 BPM | ||
Kyrie Eleison | Zbigniew Preisner, Choir of Chanters The Maestros of the Psaltic Art, Achilleas G. Chaldaekes | E Major | 2 | 12B | 136 BPM | ||
Blessed Is The Man Who Seeks No Councel Among The Impious | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 0 | 7B | 127 BPM |
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