Georges Bizet, Paavo Järvi, Orchestre de Paris made "Bizet: Jeux d'enfants, WD 56: XII. Le Bal" available on September 6, 2010. With Bizet: Jeux d'enfants, WD 56: XII. Le Bal being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 13 in Bizet : Symphony in C, Jeux d'Enfants, Roma by Georges Bizet, Paavo Järvi, Orchestre de Paris. In terms of popularity, Bizet: Jeux d'enfants, WD 56: XII. Le Bal is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bizet: Jeux d'enfants, WD 56: XII. Le Bal by Georges Bizet, Paavo Järvi, Orchestre de Paris is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvorák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Gautier Capuçon, Paavo Järvi, hr-Sinfonieorchester Frankfurt | B Minor | 0 | 10A | 111 BPM | ||
Overture Prince Igor | Alexander Borodin, London Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 76 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace) | Sergei Prokofiev, Orpheus Chamber Orchestra | G Major | 2 | 9B | 67 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | A Major | 1 | 11B | 103 BPM | ||
Pictures at an Exhibition: Ballet of the unhatched chicks | Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 1 | 3B | 176 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 2 | 10B | 95 BPM | ||
Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
Carmen, WD 31, Act I: Habanera: L'amour est un oiseau rebelle | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | D Major | 1 | 10B | 132 BPM |
Section: 0.8591461181640625
End: 0.8625288009643555