"Hell I" by Giovanni Sollima was released on March 18, 2005. With this song being about 5 minutes long, at 4:37, "Hell I" by Giovanni Sollima is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Works by Giovanni Sollima. The song's track number on the album is #7 out of 12 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, Hell I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hell I by Giovanni Sollima has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hell I being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in A Minor, Wq.170: I. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | A Minor | 2 | 8A | 80 BPM | ||
Che si può fare? | Barbara Strozzi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Spanish Songs, Op. 100 (Arr. for Cello & Piano by Stanislas Emanuel Kim and Marie Rosa Günter): No. 6, Dream | Dmitri Shostakovich, Marie Rosa Günter, Stanislas Emanuel Kim | C Major | 1 | 8B | 127 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Giochi Innocenti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 77 BPM | ||
Mazurkas, Op. 68: No. 3 in F Major, B. 34 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
6 Songs, Op. 4 (Transcr. D. Müller-Schott for Cello & Piano): No. 1, Den forældreløse. Andante moderato e doloroso | Edvard Grieg, Daniel Müller-Schott, Herbert Schuch | C Minor | 0 | 5A | 75 BPM | ||
アメリカの思い出(ヤンキー・ドゥードゥルによるブレスク風変奏曲) | アンリ・ヴュータン, 永井公美子, 佐藤卓史 | D Minor | 3 | 7A | 138 BPM | ||
Humoresque No. 2 in G Minor, Op. 89 | Jean Sibelius, Augustin Hadelich, Hannu Lintu, Royal Liverpool Philharmonic Orchestra | G Major | 1 | 9B | 93 BPM |
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