Giuseppe Verdi: Macbeth - Partia oppressa (Flüchtlingschor)
Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner
Die Schönsten Opernchöre Vol. 2
5:52 November 26, 2001
BPM
79
Key
A Minor
Camelot
8A

Embed

Share Link

Giuseppe Verdi: Macbeth - Partia oppressa (Flüchtlingschor) - Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner Information

Acousticness
96%
Danceability
9%
Energy
9%
Instrumentalness
82%
Liveness
10%
Loudness
68%
Speechiness
5%
Valence
4%
Popularity
Loudness
-19.109 dB

Summary

"Giuseppe Verdi: Macbeth - Partia oppressa (Flüchtlingschor)" by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner was released on November 26, 2001. Giuseppe Verdi: Macbeth - Partia oppressa (Flüchtlingschor) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 14 out of 20 in Die Schönsten Opernchöre Vol. 2 by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner. Giuseppe Verdi: Macbeth - Partia oppressa (Flüchtlingschor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Giuseppe Verdi: Macbeth - Partia oppressa (Flüchtlingschor) BPM

The tempo marking of Giuseppe Verdi: Macbeth - Partia oppressa (Flüchtlingschor) by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Giuseppe Verdi: Macbeth - Partia oppressa (Flüchtlingschor) Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Massenet: Thaïs, Act 2: Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale)Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier RothC Minor15A98 BPM
Four Songs, Op. 2: Oriental Romance by Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius MeisterFour Songs, Op. 2: Oriental RomanceNikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius MeisterF♯ Minor011A166 BPM
Nocturne à deux voix (H.31) by Hector Berlioz, Françoise Pollet, Göran Söllscher, Anne Sofie von OtterNocturne à deux voix (H.31)Hector Berlioz, Françoise Pollet, Göran Söllscher, Anne Sofie von OtterA Major011B82 BPM
Les Contes d'Hoffmann / Act 4: Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio FranceD Major110B101 BPM
Norma, Act I: Norma, Act I: "Casta diva"Vincenzo Bellini, Leontyne Price, Henry LewisF Major17B178 BPM
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno by Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinLa Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me serenoMaria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinA♭ Major14B113 BPM
Les Indes galantes, RCT 44, Act III: Forêts paisibles by Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy VashegyiLes Indes galantes, RCT 44, Act III: Forêts paisiblesJean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy VashegyiF♯ Minor311A112 BPM
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] by Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo GendaZigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German]Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo GendaB♭ Major16B111 BPM
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo by Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith ClarkLes contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: IntermezzoJacques Offenbach, Slovak Radio Symphony Orchestra, Keith ClarkG Major19B93 BPM
4 Lieder, Op. 27: 4. Morgen! by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur4 Lieder, Op. 27: 4. Morgen!Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt MasurG Major09B81 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.864722728729248

End: 0.8688273429870605