"Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile con alcuna licenza" by SWF Symphony Orchestra Baden-Baden was released on January 4, 2019. Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile con alcuna licenza appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Peter Tchaikovsky: Symphony No. 5". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile con alcuna licenza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile con alcuna licenza by SWF Symphony Orchestra Baden-Baden having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | ||
牧神の午後への前奏曲(『ニジンスキー』より) | ベオグラード・フィルハーモニー管弦楽団, イーゴル・マルケヴィッチ | B Major | 3 | 1B | 131 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Liszt: Liebestraume No. 3 in A-Flat Major, S. 541 | Franz Liszt, Anne Queffélec | A♭ Major | 0 | 4B | 129 BPM | ||
Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A♭ Major | 0 | 4B | 69 BPM | ||
Sylvia: Prelude: The Huntresses | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 2 | 5B | 80 BPM | ||
The Swan | St. Mark's Philharmonic Orchestra | G Major | 0 | 9B | 85 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Gunther Korner, Bamberg Philharmonic Orchestra, Werner Radke | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony No.6 Op.74b: Pathetique 2nd Movement | London Concert Orchestra | D Major | 1 | 10B | 72 BPM |
Section: 0.740931510925293
End: 0.744004487991333