"Schubert / Arr. Cortot: Am Tage Aller Seelen, D. 343 "Litanei auf das Fest Aller Seelen"" by Franz Schubert, Alfred Cortot was released on April 28, 2023. The duration of Schubert / Arr. Cortot: Am Tage Aller Seelen, D. 343 "Litanei auf das Fest Aller Seelen" is about 3 minutes long, at 3:25. Based on our data, "Schubert / Arr. Cortot: Am Tage Aller Seelen, D. 343 "Litanei auf das Fest Aller Seelen"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 12 in Alfred Cortot Plays Beethoven, Schubert & Weber by Alfred Cortot, Carl Maria von Weber, Franz Schubert, Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Schubert / Arr. Cortot: Am Tage Aller Seelen, D. 343 "Litanei auf das Fest Aller Seelen"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Schubert / Arr. Cortot: Am Tage Aller Seelen, D. 343 "Litanei auf das Fest Aller Seelen" by Franz Schubert, Alfred Cortot is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Schubert: Heidenröslein | Johann Wolfgang von Goethe, Franz Schubert, Andreas Burkhart, Akemi Murakami | E Major | 0 | 12B | 117 BPM | ||
Violin Concerto In D, Op. 61: 2. Larghetto - | Ludwig van Beethoven, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM |
Section: 0.7248563766479492
End: 0.7304568290710449