Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales
Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin
Clér\mbault - Chants et Motets pour la Royale Maison de Saint-Louis
2:59 1994
BPM
133
Key
G Major
Camelot
9B

Embed

Share Link

Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales - Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin Information

Acousticness
98%
Danceability
31%
Energy
7%
Instrumentalness
0%
Liveness
10%
Loudness
67%
Speechiness
4%
Valence
15%
Popularity
Loudness
-20.029 dB

Summary

"Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales" by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin was released on 1994. The duration of Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Clér\mbault - Chants et Motets pour la Royale Maison de Saint-Louis by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Emmanuel Mandrin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales BPM

The tempo marking of Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Trio Sonata in A Minor, BuxWV 254: V. Largo by Dietrich Buxtehude, Ensemble MéleroTrio Sonata in A Minor, BuxWV 254: V. LargoDietrich Buxtehude, Ensemble MéleroA Major311B103 BPM
Salve Regina, antienne à la Sainte Vierge, C. 114: I. Salve Regina by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien ArmengaudSalve Regina, antienne à la Sainte Vierge, C. 114: I. Salve ReginaLouis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien ArmengaudD Minor17A119 BPM
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air by Marin Marais, Ensemble AmaliaMarais: Pièces en trio: Suite No. 4 en si bémol majeur: III. AirMarin Marais, Ensemble AmaliaA Major011B76 BPM
Violin Sonata No. 1 in D Minor: V. Presto by Élisabeth Jacquet de La Guerre, David Plantier, Daniela DolciViolin Sonata No. 1 in D Minor: V. PrestoÉlisabeth Jacquet de La Guerre, David Plantier, Daniela DolciG Major29B73 BPM
Mensa sonora / PARS I (In D Major): 3. Courante by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard GoebelMensa sonora / PARS I (In D Major): 3. CouranteHeinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard GoebelD♭ Major23B65 BPM
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux by Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier FortinTrio Sonata in B Minor, Op. 3, No. 3: III. Lentement et DouxLouis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier FortinB♭ Minor33A94 BPM
Concerto In D Major, Op.26, No.6: 3. Allegro by Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard GoebelConcerto In D Major, Op.26, No.6: 3. AllegroJoseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard GoebelD♭ Major23B109 BPM
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande by Louis-Antoine Dornel, Musica BaroccaSuitte en Trio No. 2 in A Major, Op. 1: II. AllemandeLouis-Antoine Dornel, Musica BaroccaE♭ Major25B131 BPM
Stabat Mater, P. 77: XII. Quando corpus - Amen by Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT AmsterdamStabat Mater, P. 77: XII. Quando corpus - AmenGiovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT AmsterdamF♯ Minor211A101 BPM
Violin Sonata in G Major, Op. 5, No. 12: III. Largo by Jean-Marie Leclair, Trio SettecentoViolin Sonata in G Major, Op. 5, No. 12: III. LargoJean-Marie Leclair, Trio SettecentoD Minor17A110 BPM
ISRC
FRQ999300094
Label
L-M Records/RCA Records

Section: 0.7594923973083496

End: 0.7637155055999756