"Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales" by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin was released on 1994. The duration of Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Clér\mbault - Chants et Motets pour la Royale Maison de Saint-Louis by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Emmanuel Mandrin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in A Minor, BuxWV 254: V. Largo | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Salve Regina, antienne à la Sainte Vierge, C. 114: I. Salve Regina | Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien Armengaud | D Minor | 1 | 7A | 119 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Violin Sonata No. 1 in D Minor: V. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
Mensa sonora / PARS I (In D Major): 3. Courante | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 65 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Concerto In D Major, Op.26, No.6: 3. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 109 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Stabat Mater, P. 77: XII. Quando corpus - Amen | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM |
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