"Symphony "Mathis der Maler": I. Engelkonzert (Angelic Concert)" by Paul Hindemith, NDR Sinfonieorchester, Christoph Eschenbach was released on October 9, 2015. Since Symphony "Mathis der Maler": I. Engelkonzert (Angelic Concert) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, NDR Sinfonieorchester, Christoph Eschenbach's "Hindemith: Symphony "Mathis der Maler" & Symphony in E-Flat Major" album is number 1 out of 7. In terms of popularity, Symphony "Mathis der Maler": I. Engelkonzert (Angelic Concert) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony "Mathis der Maler": I. Engelkonzert (Angelic Concert) by Paul Hindemith, NDR Sinfonieorchester, Christoph Eschenbach to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 100 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Sonatine, M.40 - for Piano: 1. Modéré | Maurice Ravel, Martha Argerich | B Minor | 0 | 10A | 75 BPM | ||
3 Pieces, Op. 45: I. Feuillet d'Album | Alexander Scriabin, Alexander Melnikov | E♭ Major | 0 | 5B | 71 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók, Chicago Symphony Strings, Sir Georg Solti | B♭ Major | 2 | 6B | 108 BPM | ||
String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | ||
Wind Quintet in G Minor: I. Allegro con moto | Paul Taffanel, Berlin Philharmonic Wind Quintet | G Minor | 0 | 6A | 96 BPM | ||
Violin Concerto, Op. 36: I. Poco Allegro | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | A Minor | 2 | 8A | 82 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM |
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