"Souvenir d'un lieu cher, Op. 42: 3. Mélodie" by Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding was released on January 1, 2008. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Tchaikovsky: Violin Concerto". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Souvenir d'un lieu cher, Op. 42: 3. Mélodie is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Souvenir d'un lieu cher, Op. 42: 3. Mélodie by Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A♭ Major | 0 | 4B | 69 BPM | ||
Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
6 Pieces, Op. 7: 1. Love Song (Arr. Kocián for Violin and Piano) | Josef Suk, Janine Jansen, Antonio Pappano | A♭ Major | 2 | 4B | 101 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |
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