Emmanuel Chabrier, Philippe Jaroussky, Ebène Quartet Male Choir, Jerome Ducros, Quatuor Ébène made "Chabrier / Transc Ducros: Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan)" available on February 13, 2015. The duration of Chabrier / Transc Ducros: Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Chabrier / Transc Ducros: Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Jaroussky's "Green - Mélodies françaises" album is number 14 out of 43. In terms of popularity, Chabrier / Transc Ducros: Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chabrier / Transc Ducros: Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan) by Emmanuel Chabrier, Philippe Jaroussky, Ebène Quartet Male Choir, Jerome Ducros, Quatuor Ébène to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Chabrier: Dix Pieces pittoresques - 7. Danse villagoise | Emmanuel Chabrier, Kathryn Stott | B♭ Major | 3 | 6B | 130 BPM | ||
Petite Suite, WD 39: No. 4. Duo: Petit mari, petite femme | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 76 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |
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