On August 1, 2005, the song "Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie" was released by Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach. With Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bach Collegium Japan's "Johann Sebastian Bach: 4 Orchestral Suites, BWV 1066-1069" album is number 19 out of 24. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie by Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Major | 4 | 11B | 133 BPM | ||
Clarinet Quintet in A, K.581: 2. Larghetto | Wolfgang Amadeus Mozart, Fabrizio Meloni, Marco Rizzi, Laura Bortolotto, Danilo Rossi, Giovanni Gnocchi | D Major | 0 | 10B | 84 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Elizabeth Wilcock, Simon Standage, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 180 BPM | ||
Cello Concerto in A Major, Wq.172: III. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D♭ Minor | 2 | 12A | 77 BPM | ||
Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | E Minor | 1 | 9A | 77 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Violin Concerto in G Major, Hob. VIIa:4: III. Finale. Allegro | Franz Joseph Haydn, Midori Seiler, Concerto Köln | G Major | 2 | 9B | 145 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM |
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