Audio Features

Acousticness
98%
Energy
7%
Liveness
13%
Speechiness
5%
Danceability
11%
Instrumentalness
3%
Loudness
62%
Valence
4%

Harmonic Matches

Find songs that harmonically matches to Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Mass, Op. 12: V. Panis Angelicus by César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry EscaichMass, Op. 12: V. Panis AngelicusCésar Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry EscaichF Major17B137
Norma, Act I: Norma, Act I: "Casta diva"Vincenzo Bellini, Leontyne Price, Henry LewisF Major17B178
Come Ye Sons of Art, Z.323: III. Sound the Trumpet - Trumpet, trombone, baroque guitar, cello and organ by Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Mike Fentross, Benedikt Enzler, Jorge Lopez-EscribanoCome Ye Sons of Art, Z.323: III. Sound the Trumpet - Trumpet, trombone, baroque guitar, cello and organHenry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Mike Fentross, Benedikt Enzler, Jorge Lopez-EscribanoF Major17B107
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) by François Couperin, Alexandre TharaudLe Tic-Toc-Choc ou Les Maillotins (18e ordre)François Couperin, Alexandre TharaudF Major37B133
Dance of the Blessed Spirits by Christoph Willibald Gluck, James Galway, London Mozart PlayersDance of the Blessed SpiritsChristoph Willibald Gluck, James Galway, London Mozart PlayersF Major17B74
Messe solennelle de Ste. Cécile: Sanctus by Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark ChichonMesse solennelle de Ste. Cécile: SanctusCharles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark ChichonF Major17B125
Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo - Allegretto by Carl Maria von Weber, Raphaël Sévère, Aziz Shokhakimov, Deutsches Symphonie-Orchester BerlinClarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo - AllegrettoCarl Maria von Weber, Raphaël Sévère, Aziz Shokhakimov, Deutsches Symphonie-Orchester BerlinF Major27B125
Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam by Gustav Mahler, Polish National Radio Symphony Orchestra, Antoni WitSymphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsamGustav Mahler, Polish National Radio Symphony Orchestra, Antoni WitF Major07B80
Bellini: Norma, Act 1: Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus)Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, MilanoF Major27B88
Extrait Extrait "Casta Diva"Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de MilanF Major17B87
Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireVesperae solennes de confessore, K. 339: V. Laudate DominumWolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireF Major07B82
Mascagni: Cavalleria rusticana: Intermezzo by Pietro Mascagni, Riccardo Muti, Philharmonia OrchestraMascagni: Cavalleria rusticana: IntermezzoPietro Mascagni, Riccardo Muti, Philharmonia OrchestraF Major17B85
Bellini: Norma, Act 1: Casta diva (Norma, Chorus) by Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Dino Olivieri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Vittore VenezianiBellini: Norma, Act 1: Casta diva (Norma, Chorus)Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Dino Olivieri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Vittore VenezianiF Major27B83
Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) by Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiOrfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits)Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiF Major17B79
Norma (1997 Digital Remaster): Casta Diva by Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, MilanoNorma (1997 Digital Remaster): Casta DivaMaria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, MilanoF Major17B169
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam by Gustav Mahler, Berliner Philharmoniker, Herbert von KarajanSymphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsamGustav Mahler, Berliner Philharmoniker, Herbert von KarajanF Major07B84
2eme Mvt Largo Dbl Conc Vl Bwv1043 by Anne-Sophie Mutter2eme Mvt Largo Dbl Conc Vl Bwv1043Anne-Sophie MutterF Major27B83
Norma / Act I: Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra)Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu HerzogF Major17B91
Ave Maria, CG89a (from Bach Prelude in C, BWV 846) by Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward HigginbottomAve Maria, CG89a (from Bach Prelude in C, BWV 846)Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward HigginbottomF Major17B131
Casta Diva by Maria CallasCasta DivaMaria CallasF Major37B78
Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses by Christoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville MarrinerGluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureusesChristoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville MarrinerF Major07B76
Norma, Act I, Scene 1: Air de Norma Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola)Vincenzo Bellini, Antoine Tamestit, Cédric TiberghienF Major07B141
Moon River (From Moon River (From "Breakfast at Tiffany's")Lang Lang, Madeleine PeyrouxF Major17B72
Norma / Act 1: Casta Diva by Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám FischerNorma / Act 1: Casta DivaVincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám FischerF Major07B131
Act I: Casta diva by Vincenzo Bellini, Montserrat Caballé, Carlo Felice CillarioAct I: Casta divaVincenzo Bellini, Montserrat Caballé, Carlo Felice CillarioF Major17B73

Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields Information

As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Vesperae solennes de confessore, K. 339: V. Laudate Dominum might be one of them, due to it's low energy and danceability.

What album is Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields in?

The name of the album that Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields belongs to is Ave Maria: Sacred Arias and Choruses. This song is track #11 in Ave Maria: Sacred Arias and Choruses by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields, which has a total of 28 tracks.

Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields BPM (Tempo)

Vesperae solennes de confessore, K. 339: V. Laudate Dominum has a tempo of 82 BPM. Since this track has a tempo of 82, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields Key

The key of Vesperae solennes de confessore, K. 339: V. Laudate Dominum is F Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

When was Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields released?

Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields was released on January 8, 2022. "Vesperae solennes de confessore, K. 339: V. Laudate Dominum" is considered a new track, since it was released this year (2022).

How long is Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields?

The duration of Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields is 5:25 or 5 minutes and 25 seconds. This track's duration is considered much longer than other tracks.

Is Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields explicit?

The song Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Sir Neville Marriner, Barbara Hendricks, Academy of St. Martin in the Fields is not explicit and is considered clean. This concludes that "Vesperae solennes de confessore, K. 339: V. Laudate Dominum" is not offensive or unsuitable for children.


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