Songe de Coppelius for Tenor Saxophone and Piano - Florent Schmitt, Claude Delangle, Odile Delangle Information

Acousticness: 99%
Danceability: 16%
Energy: 0%
Instrumentalness: 86%
Liveness: 8%
Loudness: 50%
Speechiness: 5%
Valence: 4%
Popularity: 8%
Loudness: -29.732 dB

Summary

"Songe de Coppelius for Tenor Saxophone and Piano" by Florent Schmitt, Claude Delangle, Odile Delangle was released on November 1, 1999. The duration of Songe de Coppelius for Tenor Saxophone and Piano is about 3 minutes long, at 3:27. Based on our data, "Songe de Coppelius for Tenor Saxophone and Piano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Saxophone for A Lady". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Songe de Coppelius for Tenor Saxophone and Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Songe de Coppelius for Tenor Saxophone and Piano BPM

With Songe de Coppelius for Tenor Saxophone and Piano by Florent Schmitt, Claude Delangle, Odile Delangle having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Songe de Coppelius for Tenor Saxophone and Piano Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Danzas fantásticas, Op. 22: I. Exaltación	Joaquín Turina, Juanjo Mena, BBC Philharmonic	E Minor	0	9A	129 BPM
Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza	Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo	C Major	4	8B	144 BPM
Symphony No. 5: IV. Passacaglia. Moderato	Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra	C Minor	1	5A	123 BPM
Henry V, A Shakespeare Scenario: IV. Interlude. Touch her Soft Lips and Part	William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus	C Major	0	8B	92 BPM
Proving the Existence of Folkloric Creatures	Milo Paulus	F♯ Major	3	2B	65 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3	Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia	F♯ Minor	1	11A	95 BPM
Ein Heldenleben, Op. 40, TrV 190: II. Des Helden Widersacher	Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare	F Major	0	7B	131 BPM
Cuadros de una exposición para orquesta: No. 3, Tullerías	Orquesta Filarmónica de Slavonia, Alberto Lizzio	E♭ Minor	1	2A	60 BPM
Variations on a Theme by Frank Martin, Op. 105: Var. 5, Allegro	Arnold Rosner, London Philharmonic Orchestra, Nick Palmer	A Minor	1	8A	106 BPM

ISRC: SEAEK9820060
Label: L-M Records/RCA Records

Section: 0.6972496509552002

End: 0.7003874778747559