"Purcell: King Arthur, Act 3: "What power art thou" [Bass]" by William Christie was released on 1995. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. The popularity of Purcell: King Arthur, Act 3: "What power art thou" [Bass] is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Purcell: King Arthur, Act 3: "What power art thou" [Bass] by William Christie having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" | Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne | D♭ Major | 1 | 3B | 87 BPM | ||
Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus] | William Christie | E♭ Major | 1 | 5B | 134 BPM | ||
Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
Lacrimosa - Day of Tears | Zbigniew Preisner | D Minor | 2 | 7A | 108 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
St. Matthew Passion, BWV 244: No. 39 Arie (Alt): Erbarme dich, mein Gott | Johann Sebastian Bach, Istvan Gati, Peter Koves, Agnes Mester, Jozsef Mukk, Judit Nemeth, Janos Remenyi, Ibolya Verebics, Hungarian Festival Chorus, Hungarian Radio Children's Choir, Hungarian State Symphony Orchestra, Géza Oberfrank | C Minor | 2 | 5A | 65 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: VI. He | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Symphony No. 86 in D Major, Hob. I:86: Symphony No. 86 in D Major, Hob. I:86: I. Adagio - Allegro spiritoso | Joseph Haydn, Les Arts Florissants, William Christie | D Major | 2 | 10B | 146 BPM | ||
Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie | B♭ Minor | 1 | 3A | 81 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Live | Carl Orff, Wiener Philharmoniker, André Previn, Arnold Schoenberg Chor | D Minor | 4 | 7A | 134 BPM |
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