Slovak Radio Symphony Orchestra, John Philip Sousa's 'Semper Fidelis : Semper Fidelis' came out on August 10, 1998. The duration of Semper Fidelis : Semper Fidelis is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Semper Fidelis : Semper Fidelis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sousa: Stars And Stripes Forever". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Semper Fidelis : Semper Fidelis is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Semper Fidelis : Semper Fidelis by Slovak Radio Symphony Orchestra, John Philip Sousa having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
March from Symphonic Metamorfosis V | Paul Hindemith, Göteborg Wind Orchestra, Christian Lindberg | E♭ Major | 7 | 5B | 74 BPM | ||
Finale from Jazz Suite No. 2 Dmitri Shostakovich/johan De Meij | Johan de Meij | F Major | 2 | 7B | 119 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Die Puppenfee (The Fairy Doll): No. 2 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 2 | 7B | 133 BPM | ||
Crown Imperial | William Walton, The Coldstream Guards Band | C Major | 5 | 8B | 116 BPM | ||
Palau ("Palau Is Coming Forth With Strength And Power…") | Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 1 | 5B | 71 BPM | ||
Sinfonía | Francisco Asenjo Barbieri, Filarmónica Beethoven Campo de Criptana, Juan José Fernández Olivares | E Minor | 4 | 9A | 83 BPM | ||
Arnhem | The Band Of The Irish Guards | D♭ Major | 2 | 3B | 111 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
St. Barthelemy | Michael Valenti, Košice Slovak State Philharmonic Orchestra, Peter Breiner | F Minor | 3 | 4A | 73 BPM |
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