Wilhelm Furtwängler, Berliner Philharmoniker's 'Symphony No.88 in G Major : I. Adagio Allegro' came out on 2002. Since Symphony No.88 in G Major : I. Adagio Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wilhelm Furtwängler, Wiener Philharmoniker's "Haydn: Symphony No. 88 - Beethoven: Symphony No. 1 - Schumann: Symphony No. 4" album is number 1 out of 12. On top of that, France appears to be the country where this track was created. Based on our statistics, Symphony No.88 in G Major : I. Adagio Allegro's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No.88 in G Major : I. Adagio Allegro by Wilhelm Furtwängler, Berliner Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Till Eulenspiegels lustige Streiche, Op. 28 - Excerpt of the rehearsal | Richard Strauss, Berliner Philharmoniker, Wilhelm Furtwängler | B♭ Major | 4 | 6B | 68 BPM | ||
Wilhelm Furtwängler spricht über Musik: Besetzungsfragen, Instrumentaltechnik, Ausdruck, Melodik und Legato | Wilhelm Furtwängler | C Minor | 4 | 5A | 131 BPM | ||
Symphony No. 1 in C Minor: II. Adagio | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | A♭ Major | 0 | 4B | 112 BPM | ||
Wagner: Das Rheingold, Scene 3: "Die in linder Lüfte Wehn da oben ihr lebt" (Alberich, Wotan, Loge) | Richard Wagner, Wilhelm Furtwängler, Ferdinand Frantz, Gustav Neidlinger, Wolfgang Windgassen, Orchestra Sinfonica di Roma della RAI | E♭ Major | 1 | 5B | 77 BPM | ||
Maometto 2: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 75 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 5, HWV 323: 2. Presto - Live | George Frideric Handel, Berliner Philharmoniker, Wilhelm Furtwängler | F Major | 3 | 7B | 83 BPM | ||
Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell (Live) | Robert Schumann, Tibor de Machula, Berliner Philharmoniker, Wilhelm Furtwängler | F Major | 3 | 7B | 83 BPM | ||
Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: 1. Ouverture - Live | George Frideric Handel, Berliner Philharmoniker, Wilhelm Furtwängler | A Minor | 3 | 8A | 144 BPM | ||
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 86 BPM | ||
Wagner: Siegfried, Act 1, Scene 2: "Her mit den Stücken" (Siegfried, Mime) | Richard Wagner, Wilhelm Furtwängler, Julius Patzak, Ludwig Suthaus, Orchestra Sinfonica di Roma della RAI | A♭ Minor | 2 | 1A | 130 BPM |
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