"Pièces de fantaisie, Suite No.3, Op.54: 6. Carillon de Westminster" by Louis Vierne, Simon Preston was released on January 1, 1984. Since Pièces de fantaisie, Suite No.3, Op.54: 6. Carillon de Westminster is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vierne: Carillon de Westminster / Widor: Symphony No. 5 by Charles-Marie Widor, Simon Preston, Louis Vierne. The song's track number on the album is #1 out of 6 tracks. Pièces de fantaisie, Suite No.3, Op.54: 6. Carillon de Westminster is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pièces de fantaisie, Suite No.3, Op.54: 6. Carillon de Westminster by Louis Vierne, Simon Preston has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Pièces de fantaisie, Suite No.3, Op.54: 6. Carillon de Westminster being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
Messe solonnelle en fa dièse mineur, Op. 16: I. Kyrie | Louis Vierne, Jonathan Oldengarm, Les Petits Chanteurs du Mont-Royal, Gilbert Patenaude, Les Chantres Musiciens, Vincent Boucher | E♭ Major | 3 | 5B | 72 BPM | ||
Vierne: Messe solennelle, Op. 16: Kyrie eleison | Louis Vierne, Marie-Claire Alain, André Luy, Ensemble Vocal de Lausanne, Michel Corboz | D♭ Minor | 1 | 12A | 73 BPM | ||
Organ Symphony No. 2 in E Minor, Op. 20: V. Final | Louis Vierne, Martin Jean | B Major | 1 | 1B | 88 BPM | ||
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
Musette en rondeau | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 68 BPM | ||
Gothic Suite Op 25: Toccata | Léon Boëllmann, William McVicker | F Minor | 1 | 4A | 134 BPM |
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