Jordi Savall made "Folia: Rodrigo Martinez, 1490 - Improvisations D'Après Le Villancico Du CMP (Anonyme)" available on January 1, 1998. Folia: Rodrigo Martinez, 1490 - Improvisations D'Après Le Villancico Du CMP (Anonyme) is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Jordi Savall's "La Folia" album is number 1 out of 8. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Folia: Rodrigo Martinez, 1490 - Improvisations D'Après Le Villancico Du CMP (Anonyme)'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Folia: Rodrigo Martinez, 1490 - Improvisations D'Après Le Villancico Du CMP (Anonyme) by Jordi Savall to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Pajarillo | Gaspar Sanz, Jordi Savall | D Major | 4 | 10B | 107 BPM | ||
I. - Almaine: The Choise (Holborne) | Anthony Holborne, Hespèrion XXI, Jordi Savall | D Minor | 3 | 7A | 107 BPM | ||
Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM | ||
Markus Passion, BWV 247: Chor "Geh, Jesu, geh zu deiner Pein!" (aus BWV 198) | Johann Sebastian Bach, Jordi Savall | B♭ Minor | 3 | 3A | 105 BPM | ||
Concert À Deux Violes Esgales "Le Retour" (Sainte-Colombe) | Jordi Savall | D♭ Major | 0 | 3B | 86 BPM | ||
Sonata "La Follia" Op. 1 n. 12 RV 63 | Antonio Vivaldi, Jordi Savall, Hespèrion XXI | D♭ Minor | 2 | 12A | 148 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Gavotte (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | B♭ Major | 3 | 6B | 75 BPM | ||
Passagaglia for solo violin from “Rosenkrantz Sonaten” | Heinrich Ignaz Franz von Biber, Thibault Noally | F♯ Minor | 2 | 11A | 77 BPM | ||
Folias Gallegas | Santiago De Murcia, Jordi Savall, Hespèrion XXI | D Major | 1 | 10B | 147 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM |
Section: 0.6200478076934814
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