"Scriabin / Orch. Kashif & Birchall: 12 Études, Op. 8: No. 12 in D-Sharp Minor" by Alexander Scriabin, Maksim/Royal Philharmonic Orchestra/Tolga Kashif, Tolga Kashif, Royal Philharmonic Orchestra was released on September 27, 2004. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Variations: Part 1, Part 2 by Maksim. The song's track number on the album is #11 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Scriabin / Orch. Kashif & Birchall: 12 Études, Op. 8: No. 12 in D-Sharp Minor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Scriabin / Orch. Kashif & Birchall: 12 Études, Op. 8: No. 12 in D-Sharp Minor by Alexander Scriabin, Maksim/Royal Philharmonic Orchestra/Tolga Kashif, Tolga Kashif, Royal Philharmonic Orchestra has a tempo of 58 beats per a minute, the tempo markings of this song would be Lento (slowly). With Scriabin / Orch. Kashif & Birchall: 12 Études, Op. 8: No. 12 in D-Sharp Minor being at 58 BPM, the half-time would be 29 BPM with a double-time of 116 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
春の声 | Johann Strauss II, Ikuko Kawai | D♭ Major | 1 | 3B | 81 BPM | ||
The Gadfly Suite, Op. 97a: I. Overture | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A♭ Major | 2 | 4B | 190 BPM | ||
Piano Concerto No. 1 in E Minor, Op.11: II. Romanze - Larghetto | George Fenton | E Major | 1 | 12B | 60 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
Ruses d'amour, Op. 61 | Alexander Glazunov, State Academic Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 1 | 5B | 130 BPM | ||
Violin Concerto No. 2 in G Minor, Op. 131: II. Adagio quasi andante | Benjamin Godard, Chloë Hanslip, Slovak State Philharmonic Orchestra, Kosice, Kirk Trevor | D Major | 1 | 10B | 167 BPM | ||
Bagatelle in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Murray Perahia | A Minor | 0 | 8A | 142 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air (arr. for orchestra and organ) | Johann Sebastian Bach, Royal Philharmonic Orchestra, James Morgan, Juliette Pochin | B Minor | 1 | 10A | 70 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM |
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