"Der Freischütz: The Casting of the Magic Bullets" by Tasmanian Symphony Orchestra, Andrew Greene was released on October 5, 2012. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 17 out of 25. Der Freischütz: The Casting of the Magic Bullets is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Freischütz: The Casting of the Magic Bullets by Tasmanian Symphony Orchestra, Andrew Greene to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Xerxes, HWV 40: 4. Largo (Ombra mai fu) | George Frideric Handel, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 75 BPM | ||
The Lark in the Clear Air | Carducci String Quartet | F Major | 1 | 7B | 97 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Xerxes: Largo | Iona Brown, Academy of St. Martin in the Fields | F Major | 2 | 7B | 114 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 1: Pas de trois - Variation 1 (Allegro semplice) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 97 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | B♭ Major | 1 | 6B | 121 BPM | ||
Wild Mountain Thyme (Arr. Jessica Wells) | Sally Maer, Tasmanian Symphony Orchestra, Andrew Greene | B Major | 2 | 1B | 83 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM |
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