Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana's 'Vi ravviso, luoghi ameni (La Sonnambula)' came out on July 30, 2006. The duration of Vi ravviso, luoghi ameni (La Sonnambula) is about 3 minutes long, at 3:02. Based on our data, "Vi ravviso, luoghi ameni (La Sonnambula)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Cesare Siepi's "Lebendige Vergangenheit - Cesare Siepi" album is number 4 out of 19. Vi ravviso, luoghi ameni (La Sonnambula) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vi ravviso, luoghi ameni (La Sonnambula) by Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 1: Vi ravviso, o luoghi ameni | Vincenzo Bellini, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | A♭ Major | 3 | 4B | 88 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Les Contes d'Hoffmann / Act 4: Malheureux, tu ne comprends donc pas | Jacques Offenbach, Plácido Domingo, Edita Gruberova, Orchestre National De France, Seiji Ozawa | B♭ Major | 2 | 6B | 120 BPM | ||
La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto | Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Un ballo in Maschera / Ma se mé forza perderti | Mario del Monaco | A♭ Major | 2 | 4B | 129 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | ||
La Favorita - Italian version - Act 1: Parla, figlio..... Una vergine, un'angel di Dio | Gaetano Donizetti, Nicolai Ghiaurov, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A Major | 1 | 11B | 91 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Act One | Carlo Bergonzi, Ettore Bastianini, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin, Cesare Siepi | F♯ Major | 4 | 2B | 94 BPM |
Section: 0.7019591331481934
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