"Valse (Brahms)" by Angele Dubeau, Ensemble Amati, Raymond Dessaints was released on 1994. The duration of Valse (Brahms) is about 3 minutes long, at 3:01. Based on our data, "Valse (Brahms)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Angele Dubeau, Ensemble Amati, Raymond Dessaints's "La Ronde Des Berceuses" album is number 4 out of 13. On top of that, United States appears to be the country where this track was created. Valse (Brahms) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Valse (Brahms) by Angele Dubeau, Ensemble Amati, Raymond Dessaints to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Lagunen Waltz, Op. 411 | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner | D Major | 2 | 10B | 99 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
Die Jahreszeiten Op.37b: Barcarolle (IV. Juin) | Morton Gould, Pyotr Ilyich Tchaikovsky, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Minor | 0 | 6A | 82 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
String Quartet No. 17 in F Major, Hob. III:17 "Serenade": II. Andante cantabile | Franz Joseph Haydn, Carmina Quartet, Rolf Lislevand | C Major | 0 | 8B | 98 BPM | ||
Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) | George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 79 BPM |
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