"Il barbiere di Siviglia, R 1.64, Act I, scene 6: Saper bramate" by Giovanni Paisiello, Linard Vrielink, Ensemble Pygmalion, Raphael Pichon was released on August 30, 2019. With this song being about 5 minutes long, at 4:57, "Il barbiere di Siviglia, R 1.64, Act I, scene 6: Saper bramate" by Giovanni Paisiello, Linard Vrielink, Ensemble Pygmalion, Raphael Pichon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Ensemble Pygmalion, Raphael Pichon, Sabine Devieilhe's "Libertà! Mozart & the opera" album is number 4 out of 28. Il barbiere di Siviglia, R 1.64, Act I, scene 6: Saper bramate is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il barbiere di Siviglia, R 1.64, Act I, scene 6: Saper bramate by Giovanni Paisiello, Linard Vrielink, Ensemble Pygmalion, Raphael Pichon to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in E-Flat Major, Op. 2, No. 4, Ben. 310: III. Tempo di Minuetto | Ignaz Pleyel, Enso String Quartet | A Minor | 1 | 8A | 116 BPM | ||
Symphony in F minor, H.I No. 49 -"La passione": 1. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | F Minor | 0 | 4A | 84 BPM | ||
6 Flute Quartets. Op. 23, No. 5: II. Rondò | Giovanni Paisiello, Siro Cavalet, Dino Scalabrin, Daniele Pagella, Carlo Bertola | G Major | 1 | 9B | 141 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: La calunnia (Basilio) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | D Major | 3 | 10B | 82 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Andante and Rondo Ungarese for Bassoon and Orchestra, Op.35 | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 174 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: I. Allegro di molto | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | E♭ Major | 2 | 5B | 138 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Bach, JS / Arr. Paillard: Erbarm dich mein, o Herre Gott, BWV 721 | Johann Sebastian Bach, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | B Minor | 0 | 10A | 75 BPM |
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