Erik Satie, Jean-Yves Thibaudet made "Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds" available on December 27, 2021. With Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 43 out of 195 in Classical for Winter: Satie by Erik Satie, Various Artists. Based on our statistics, Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds by Erik Satie, Jean-Yves Thibaudet is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Gymnopédie No. 1 | Erik Satie, Reinbert de Leeuw | G Major | 0 | 9B | 88 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Chaconne in sol maggiore : Variazione 9 | Lazar Berman | G Minor | 0 | 6A | 66 BPM | ||
Orphée Suite - 6. Orphee's Return | Philip Glass | F Major | 1 | 7B | 127 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Gnossienne No. 3 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | E Minor | 0 | 9A | 67 BPM |
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