I Solisti Veneti & Claudio Scimone's 'Symphony No. 15 K. 124 In G Major: Andante' came out on 1998. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of W.A. Mozart: Early Symphonies - Vol. 4 by I Solisti Veneti & Claudio Scimone. The song's track number on the album is #2 out of 18 tracks. In terms of popularity, Symphony No. 15 K. 124 In G Major: Andante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Symphony No. 15 K. 124 In G Major: Andante by I Solisti Veneti & Claudio Scimone has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Symphony No. 15 K. 124 In G Major: Andante being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony K Anh. 221 (45A) G Major: III. Presto (Mozart) | Claudio Scimone & I Solisti Veneti | G Major | 1 | 9B | 85 BPM | ||
Serenade in D major, Op. 8: II. Adagio | Ludwig van Beethoven, Ssens Trio | C Major | 0 | 8B | 117 BPM | ||
Der Fischer und das Milchmädchen: I. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
25の練習曲作品100 第6曲 進歩 | Franz Burgmüller, Rintaro Akamatsu | D Major | 1 | 10B | 139 BPM | ||
Symphony No.97 In C Major Hob.I.97: I. Adagio-Vivace | Joseph Haydn, Maxwell Philharmonic Orchestra | C Major | 0 | 8B | 121 BPM | ||
Suite for Strings, JW VI / 2: III. Andante Con Moto | Leoš Janáček, Slovac Chamber Orchestra, Bohdan Warchal | G Major | 1 | 9B | 114 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Versus: Hostias | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | G Minor | 1 | 6A | 104 BPM | ||
Sinfonia In B Flat Major: III. Allegro | Francois-Joseph Gossec, Northern Chamber Orchestra | B♭ Major | 1 | 6B | 127 BPM | ||
Symphony No. 23 in D Major: Allegro Spirituoso-Andantino Grazioso-Presto Assai | The Royal Festival Orchestra | D Major | 2 | 10B | 130 BPM |
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