Max Lorenz made "Ein Maskenball: O sag, wenn ich fahre auf schäumenden Wogen" available on October 12, 2009. The duration of Ein Maskenball: O sag, wenn ich fahre auf schäumenden Wogen is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Ein Maskenball: O sag, wenn ich fahre auf schäumenden Wogen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Lorenz's "Max Lorenz - Keiner war wie er" album is number 1 out of 14. Ein Maskenball: O sag, wenn ich fahre auf schäumenden Wogen is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ein Maskenball: O sag, wenn ich fahre auf schäumenden Wogen by Max Lorenz to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La damnation de Faust, Op. 24, H. 111: Ballet des syphes - Instrumental | Hector Berlioz, Philadelphia Orchestra, Charles Münch | D Major | 0 | 10B | 78 BPM | ||
Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro - Recorded live in City Recital Hall, Sydney, Australia, 11–16 February 2020 | Ludwig van Beethoven, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 180 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
Elisabetta, regina d'inghilterra: Sinfonia | Gioachino Rossini, Cracow Philharmonic Orchestra, Antonino Fogliani | E Major | 7 | 12B | 119 BPM | ||
Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Symphony No. 1, Op. 11: II. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Die Walküre, WWV 86B, Act I Scene 3: Siegmund heiß ich, und Siegmund bin ich (Live) | Richard Wagner, Max Lorenz, Bayreuth Festival Orchestra, Joseph Keilberth | F Major | 1 | 7B | 124 BPM | ||
2 Romanian Rhapsodies, Op. 11: No. 2 in D Major | George Enescu, Orchestre National De France, Cristian Măcelaru | D Major | 0 | 10B | 73 BPM | ||
Stravinsky: The Firebird, Tableau 1: Supplication of the Firebird | Igor Stravinsky, Seiji Ozawa, Orchestre de Paris | E Major | 4 | 12B | 165 BPM |
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