"Chanson Suisse" by Alberich Zwyssig, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2006. With Chanson Suisse being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Berliner Philharmoniker, Herbert von Karajan's "Karajan - The European Anthem & National Anthems" album is number 16 out of 22. On top of that, Germany appears to be the country where this track was created. Chanson Suisse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chanson Suisse by Alberich Zwyssig, Berliner Philharmoniker, Herbert von Karajan to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K.620 / Act 1: "Hm! hm! hm! hm!" | Wolfgang Amadeus Mozart, Hanno Müller-Brachmann, Christoph Strehl, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 101 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Aufzug der Meistersinger | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | C Major | 2 | 8B | 94 BPM | ||
Honduras: "Like an Indian maiden you were sleeping…" (Olympic version) [arr. P. Breiner] | Carlos Hartling, Slovak Radio Symphony Orchestra, Peter Breiner | C Major | 1 | 8B | 98 BPM | ||
Die Zauberflöte: O Isis und Osiris | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D Major | 1 | 10B | 71 BPM | ||
Liechtenstein-Marsch, Op. 36 | Josef Strauss, Andris Nelsons, Wiener Philharmoniker | B♭ Major | 5 | 6B | 112 BPM | ||
Carmina Burana: Tempus est iocundum | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 3 | 10B | 78 BPM | ||
Carmen Suite No. 2: 4. La garde montante | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 1 | 7A | 124 BPM | ||
Carmen, Act I: No.6 Scène : Carmen! sur tes pas nous nous pressons tous! (Jeunes gens/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | A Minor | 0 | 8A | 125 BPM | ||
Ohne Bremse - Polka schnell, Op.238 - Live | Eduard Strauss, Wiener Philharmoniker, Willi Boskovsky | B♭ Major | 2 | 6B | 101 BPM | ||
Die Fledermaus / Act 2: "Ich lade gern mir Gäste ein" | Johann Strauss II, Brigitte Fassbaender, Wolfgang Brendel, Wiener Philharmoniker, André Previn | D♭ Major | 1 | 3B | 77 BPM |
Section: 0.9014301300048828
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