James Darren made "The Best Is Yet To Come" available on January 1, 1999. The duration of The Best Is Yet To Come is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The Best Is Yet To Come's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "This One's From The Heart". In this album, this song's track order is #1. Based on our statistics, The Best Is Yet To Come's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Best Is Yet To Come by James Darren having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Maladjusted Jester | Danny Kaye | C Major | 6 | 8B | 87 BPM | ||
The Best Things Happen When You're Dancing (Live) | Bill Elliott Swing Orchestra | C Minor | 6 | 5A | 153 BPM | ||
He Shouldn't-A, Hadn't-A, Oughtn't-A Swang On Me! | Henry Mancini | G Major | 2 | 9B | 76 BPM | ||
20th Century Blues | Noel Coward | G Major | 2 | 9B | 98 BPM | ||
Melancholy Serenade | Jackie Gleason & His Orchestra, Jackie Gleason and His Concert Orchestra | D♭ Minor | 4 | 12A | 96 BPM | ||
Until the Real Thing Comes Along | James Darren | F Minor | 3 | 4A | 78 BPM | ||
Detour | Patti Page | A♭ Major | 2 | 4B | 95 BPM | ||
Mona Lisa | Seal | D♭ Major | 2 | 3B | 82 BPM | ||
Crazy Rhythm | Roger Wolfe Kahn & His Orchestra | A♭ Major | 3 | 4B | 93 BPM | ||
Cinderella | The Four Preps | E Major | 6 | 12B | 115 BPM |
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