"Chamber Music, Vol. 2 "6 Joyce Songs": No. 1. The Twilight Turns from Amethyst" by Conrad Susa, Cappella SF, Keisuke Nakagoshi, Ragnar Bohlin was released on June 10, 2016. The duration of Chamber Music, Vol. 2 "6 Joyce Songs": No. 1. The Twilight Turns from Amethyst is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Chamber Music, Vol. 2 "6 Joyce Songs": No. 1. The Twilight Turns from Amethyst's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in Facing West: Choral Music of Conrad Susa & David Conte by Cappella SF, Ragnar Bohlin. Chamber Music, Vol. 2 "6 Joyce Songs": No. 1. The Twilight Turns from Amethyst is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chamber Music, Vol. 2 "6 Joyce Songs": No. 1. The Twilight Turns from Amethyst by Conrad Susa, Cappella SF, Keisuke Nakagoshi, Ragnar Bohlin is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Night Seasons: II. When It's Darkest, A Prayer For The Dawn | Rebecca Dale, Book of common prayer, Guy Johnston, Tenebrae, Philharmonia Orchestra, Nigel Short, Richard McVeigh | B♭ Major | 1 | 6B | 67 BPM | ||
Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 84 BPM | ||
Missa Popularis: IV. Sanctus | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | D Major | 2 | 10B | 92 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | D Major | 1 | 10B | 99 BPM | ||
As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
A Winter Serenade | Conrad Susa, Boston Gay Men's Chorus, Chad Weirick, Robert Barney | A Major | 0 | 11B | 83 BPM | ||
Missa Praeter rerum seriem: VII. Agnus Dei II | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Requiem Novum: VII. Eternal Rest | Mårten Jansson, Anna Dennis, Barnaby Smith, Philharmonia Orchestra | F Major | 3 | 7B | 69 BPM | ||
In monte Oliveti I | Marc' Antonio Ingegneri, Regensburger Domspatzen, Roland Büchner | A♭ Major | 1 | 4B | 67 BPM | ||
Johann von Gardner, arr: Joulun valovirrelmä (Exapostilarion) | Lumen Valo | E Major | 1 | 12B | 128 BPM |
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