"Eugene Onegin, Op. 24, TH. 5 / Act I: Scene. "Nu ti, moya vostrushka"" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Anne Sofie von Otter, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus was released on July 30, 2022. The duration of Eugene Onegin, Op. 24, TH. 5 / Act I: Scene. "Nu ti, moya vostrushka" is about 3 minutes long, at 3:03. Based on our data, "Eugene Onegin, Op. 24, TH. 5 / Act I: Scene. "Nu ti, moya vostrushka"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 66 out of 183 in BBQ Night with Tchaikovsky by Pyotr Ilyich Tchaikovsky, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Eugene Onegin, Op. 24, TH. 5 / Act I: Scene. "Nu ti, moya vostrushka" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eugene Onegin, Op. 24, TH. 5 / Act I: Scene. "Nu ti, moya vostrushka" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Anne Sofie von Otter, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | B♭ Major | 0 | 6B | 138 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM |
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