"Crucifixus a 6" by Antonio Lotti, Michiko Takahashi, Geoffroy Jourdain, Marie Picaut, Virgile Ancely, William Shelton, Stephen Collardelle, Les Cris De Paris, Alvaro Vallés was released on September 20, 2019. The duration of Crucifixus a 6 is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Crucifixus a 6's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Passions". In this album, this song's track order is #13. Crucifixus a 6 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Crucifixus a 6 by Antonio Lotti, Michiko Takahashi, Geoffroy Jourdain, Marie Picaut, Virgile Ancely, William Shelton, Stephen Collardelle, Les Cris De Paris, Alvaro Vallés having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passacaglia for solo violin (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 123 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Concerto à 4 No. 1 in G Minor: III. Allegro | Baldassare Galuppi, Aglaia Ensemble | B Minor | 1 | 10A | 84 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Lachrimae | John Dowland, Elizabeth Kenny, Theatre of Early Music | F♯ Minor | 0 | 11A | 87 BPM | ||
Amor dormiglione | Barbara Strozzi, Constantinople, Suzie LeBlanc | A Major | 3 | 11B | 106 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
St. Matthew Passion, BWV 244: No. 3, Chorale, 'Herzliebster Jesu' | Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker | B Minor | 1 | 10A | 81 BPM | ||
The Spirit of Tallis | Christopher Monks, Thomas Tallis, Anna Sandström, Kelly McCusker | B♭ Minor | 0 | 3A | 71 BPM | ||
All-night Vigil, Op. 37, "Vespers": O Joyful Light | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 2 | 4B | 105 BPM |
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