"Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete"" by Joseph Haydn, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa was released on January 13, 2023. With this song being about 5 minutes long, at 4:47, "Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete"" by Joseph Haydn, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Haydn: Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete" and no other songs are present in the album, we classify this track as a single. On top of that, Netherlands appears to be the country where this track was created. Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete" by Joseph Haydn, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in D Minor: III. Adagietto | Ján Levoslav Bella, Frantisek Magyar, Moyzesovo kvarteto | F Minor | 1 | 4A | 127 BPM | ||
Der Frühling: "Seht, wie der strenge Winter flieht!" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel | C Minor | 4 | 5A | 147 BPM | ||
Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: III. Allegro non tanto | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Water Music (2001 Digital Remaster), Suite No. 3 in G Major: XIX - Menuet | George Frideric Handel, Prague Chamber Orchestra/Sir Charles Mackerras, Sir Charles Mackerras, Prague Chamber Orchestra | G Minor | 0 | 6A | 126 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: V. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 0 | 12B | 97 BPM | ||
Piano Concerto in A Minor, Op. 7: III. Finale: Allegro non troppo - Allegro molto | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A Minor | 2 | 8A | 106 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | B Major | 0 | 1B | 179 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM |
Section: 0.8426089286804199
End: 0.8470382690429688